Deutschland 2018, Farbe, 16 mm, 01:25 Min.
Regie, Drehbuch, Schnitt: Savyasachi
Kamera: Shivendu Kudalkar
DarstellerInnen: Mr. Chauhan, Santosh Gupta,
Jareena Khan, Mohammad Shahi, Tazma Ansari
Documentary footage shot on 16 mm with the intention of capturing the rarest moments of Bombay (Mumbai), the moments when one sees someone static in this sleepless dynamic city of dreams. A static individual is a dreamer, lost in thought, lost in the dreams that Bombay failed to realize for them.
Boy Transcoded from Phosphene
Garoto transcodificado a partir de fosfeno
Brasilien 2018, Farbe, 02:03 Min.
Regie, Drehbuch, Schnitt, Animation, Ton:
Kamera: Lucas Reitano
Trapped in phosphene, raw documentary footage reveals its digital self, receding into its abstract infancy, a memory-image unspooled from its dependency on referents, affected by its own internal life. A computer sees without eyes, an algorithm imagines.
Why are you showing me this?
Kanada 2019, Farbe, 02:00 Min.
Regie, Drehbuch, Kamera, Schnitt: Nathan
DarstellerInnen: Vale Abbott
A young woman rides the subway and is overwhelmed by the battle in her mind between her own critical voice and her true feelings; manifesting as visual clips and static television with subtitles.
The Epistemology of Becoming
Vereinigtes Königreich 2019, Farbe,
Regie, DarstellerInnen: Katya Kan
Drehbuch: Alex Kan
Kamera: Kostia Mephi
Animation: Natalie Lacey
Schnitt: Jordan Tallis
Ton: Iggy Jai
Musik: LJ and Feduk
This video art piece presents a spiritual mantra of positive transformation for the artist in discovering her esoteric white witch powers. It consists of HD video in combination of 300 2D stop motion animation frames, carefully and craftily hand drawn by the artist herself.
Vereinigtes Königreich 2018, Farbe,
Regie, Drehbuch, Kamera, Schnitt: Eta Dahlia
Musik: Peter Sandberg
DarstellerInnen: Iris Colomb
Semechki (Семечки ) is a series of experimental translations of Eta Dahlia’s minimalist Russian poems into gestural drawings by Iris Colomb. These translations are entirely
process-led. The translator made use of her limited knowledge of Russian, allowing her to experience the poems phonically without semantic bias.
where i don’t meet you (side B)
Kanada 2019, S/W, 02:20 Min.
Regie, Ton: Charlotte Clermont
The concept of this film is to use the materiality of the film as a conductor of emotions. The objective is to create psychological associations and to activate a work on memory, by exposing
people to a series of figurative shots accompanied by a textual sequence, which are altered by chemical processes, in parallel with an experimental soundtrack.
Path of virtue
Pfad der Tugend
Deutschland 2018, S/W, 02:01 Min.
Regie, Kamera, Schnitt, Ton: Vera Sebert
The classic design of signage in movies is the subject of this film. In this way, the black and white movie for instance is made up of closing titles. This, again, is reduced to a variety of acknowledgements which are consequently dedicated to one and the same person. It is the fictitious character of Prof. Dr. Jörg-Michael Brunkhorst.
Sweet as Candy
Deutschland 2018, Farbe, Super 8, 02:34 Min.
Regie: Charlotte Maria Kätzl, Conrad Veit
Kamera, Schnitt, Ton: Conrad Veit
DarstellerInnen: Candy Catzl
Vulgar intimate play showing Candy’s marvellous performance.
Frankreich 2019, Farbe, 01:40 Min.
Regie, Kamera, Schnitt, Ton: Nataliya Ilchuk
Deutschland 2019, Farbe, 01:02 Min.
Regie, Kamera: Fritz Polzer
This is a gothic short doc. Shot in real life and on location it deals with the realities of many in the so-called creative industries and what the commercial reality of
content creation and creative endeavours can actually mean on the ground.
Deutschland 2018, Farbe, 01:24 Min.
Regie, Kamera, Ton: Vitalii Shupliak
Viewing mediated through the device screen, de-synchronization of reality, rotational and uncontrolled observation.